The conflict between Big Nurse and McMurphy is in full swing at the end of "Part One." Who is getting the best of their rivalry at this point? Why do you say that (specific evidence)?
What is your perception of the Chief at this point in the story? Why? And how has the presence of McMurphy changed the Chief's character or his narration (be specific)?
Who are you rooting for at this point in the story and why?
What is your perception of the Chief at this point in the story? Why? And how has the presence of McMurphy changed the Chief's character or his narration (be specific)?
Who are you rooting for at this point in the story and why?
At the end of Part One, McMurphy seems to have the upper hand. However, it’s important to note that they have not reached a state of equilibrium—any new happening threatens to change the power balance. Throughout much of this section of Part One, McMurphy seems dejected, as epitomized by his failure to life the heavy object to throw through the window. “His whole body shakes with the strain as he tries to lift something he knows he can’t lift, something everybody knows he can’t lift,” writes Kesey, as an illustration of the failure and futility of McMurphy’s attempts (125). At the end of the section, however, McMurphy seems to have regained his ability to motivate his companions, to foment resistance. The section ends, importantly, with “men watching a blank TV, a fifty-year-old woman hollering and squealing at the back of their heads about discipline and order and recriminations;” Kesey intentionally left the audience with the belief that McMurphy had triumphed—if only temporarily (145).
At this point in the story, I’m still not fully comfortable with the chief. I now understand that he’s faced some level of trauma, seemingly tied to the Department of the Interior having taken over his tribe’s land and his later service in the war. The audience is also provided more insight into his mental illness, as his dreams begin to reveal twisted imaginings of hellish environments where humans are treated as objects (86-88). And yet, recurring nightmares alone don’t seem to constitute mental illness. The only other evidence present is the fog—perhaps a motif, but explained by Bromden as if it were a purely physical mechanism (the creation of which he describes in detail).
McMurphy’s arrival seems to have made the Chief less impartial of a narrator. He seems to be somewhat emboldened by McMurphy’s contrariness to Big Nurse, and a result, describes in greater detail her failings and cruelties.
I am rooting, though with reservations, for McMurphy. I can’t say I identify with or appreciate him greatly. He’s clearly not an ideal hero, but when compared to the antagonist (Big Nurse), he seems quite good indeed. I’m not sure that even a 50s audience could have accepted Big Nurse as a hero, given Kesey’s portrayal of her as an angry, vindictive, and unfeeling master of the ward.